A silver gelatin dry plate glass negative in landscape format.

Country Always

Caring for Country

A Corner of the Empire

The Garden Palace

Sepia photograph of the Technological Museum and a cow in the foreground

The Holding Pen

The Agricultural Hall

Sepia photograph of the Technological College and Museum in Broken Hill

Regional Networks

Across New South Wales

A Museum of Doing

Technological Museum

Black and white photograph of man walking through eucalyptus plantation

Expanding Stories

Evolution of the Castle Hill site from botanical research station to Museum Discovery Centre

Colour photograph of red corrugated iron building from a high vantage point

Transforming the Tramsheds

Powerhouse Stage 1 and the Harwood Building

A Symbol in Time

Sydney Observatory

Powerhouse Museum, Stage 2 exterior from high angle, city skyline in background

Ongoing Transformations

Powerhouse Ultimo

Blurred image from film with museum object number

Applied Arts and Sciences

Defining the terms in the 21st century

Powerhouse Renewal

Two people standing next to a cow in a field of cows.

Powerhouse Food: Producers

Across Western Sydney24 Aug 2024 — 25 Jul 2025

We Rise

Blak Powerhouse

A tall rocket with a long trail of burning fuel lifts off from a launchpad at Cape Canaveral.

Powerhouse-1 Mission Launch to the ISS

An initiative of the Powerhouse: Future Space program

Figure of person falling into ocean water from a tall jetty, with the sun surrounding their silhoette.

Photofields

Across Sydney6—7 Dec

Exoskeleton

Powerhouse Parramatta

A woman stands on stage in front of a large audience. She has her left hand raised in the air and a microphone in her right hand. The audience are holding their phones up recording the woman.

Blak Powerhouse

Powerhouse x We Are Warriors

Slider thumb2023

Program

New to who? First Nations creators in conversation

Name: New to who? First Nations creators in conversation
Start: 2023-09-21T08:00:00.000Z
End: 2023-09-21T10:00:00.000Z
Location: Ace Hotel Sydney

Tag iconTalk

when

Ended 21 Sept 2023

where

Ace Hotel Sydney

Indigenous communities around the world have been living with widespread cultural and environmental change for centuries, their practices continuing, adapting or becoming dormant in response. Some are now being ‘discovered’ anew.

This conversation invites contemporary First Nations designers from two collectives – Barangga and Parramatta Weaving Garden Collective – to share ‘new to some’ perspectives on what meeting the challenges of contemporary design and practice looks like when you are connected to an enduring holistic culture.

Barangga is a gathering of ‘design mob’ that has grown into an extensive public program; Parramatta Weaving Garden Collective is a formal group of artists, supported by Parramatta Artist Studios, who will establish a cross-community weaving garden on the roof of Powerhouse Parramatta.

Speakers

Nicole Monks is a member of Barangga and an award-winning designer and artist of Yamaji Wajarri, Dutch and English heritage living and working on Worimi and Awabakal Country (Newcastle). Working across multiple disciplines (furniture, objects, textiles, video, installation, performance), Monks' work reflects First Nations philosophies of sustainability, innovation and collaboration. Monks is the founder of design practice blackandwhite creative and public art company mili mili.

Leanne Tobin is a member of Barangga and a multidisciplinary artist of Buruberong, Wumali, Irish and English heritage. Tobin works with groups and institutions to create richly layered place-based collaborative art and large-scale urban design works. Her art practice centres open and honest dialogue about the past and models a nurturing approach to Country anchored in respect for, in her words, ‘the Old People and their legacy’.

Dr Virginia Keft is a member of Parramatta Weaving Garden Collective and an award-winning researcher and multidisciplinary artist of Muruwarri heritage. Keft's wide-ranging practice (weaving, painting, drawing, sculpture) celebrates connections to place, community and Country. Her work delivers powerful statements on the resilience of tradition, the persistence of cultural memory and the strength of First Nations identity. Keft brings an open and collaborative approach to her arts and cultural practice.

Paris Taia is a member of Parramatta Weaving Garden Collective and a horticulturalist and artist of Cook Island, Samoan and European heritage. Taia's use of plants responds to stories of seed migration, cultural plant uses and an understanding of the environmental conditions needed for species to thrive. Her material garden practice is informed by horticultural investigations and Pacific Islands flora and building materials which act as entry points for exploration into familial histories.

Beau James, First Nations associate director at Powerhouse is from the Mununjali clan of the Yugambeh Nation from South East Queensland with links to Stradbroke Island. James is an experienced manager and First Nations programmer who has worked with Arts Law Centre of Australia and the Australian National Maritime Museum. Most recently, they were the head of First Nations programming with the Sydney Opera House.